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Painting in
this medium creates a feeling wonderfully different from oils: more fluid,
yet more exacting. When I am working in oils, I always try to end each
session with a small plein air watercolor: a quick sketch catching the view
of the moment, followed by equally fast application of the colors. This
helps me to focus on the total picture and gain spontaneity, instead of
getting mired in details. Hiking or sitting on the deck of our ranch house
in Montana, I love to have my watercolor pad, colors, brushes, water, and
pencils so that I can catch those special moments on paper. Yet, this art
form, similar in process to oils, requires more discipline. I first sketch
to find the soul of my work; but, while drawing, I give careful
consideration to colors and their applications. I determine how I wish the
water to flow, if indeed I want flowing at all; I decide where I want sharp,
crisp edges, where to blur the lines. Watercolors are not forgiving like
oils; one cannot paint over a mistake or change her mind.
I hope you like the
three collections below.


When asked to be part of a four-person show in Brussels, Belgium I was quite
excited, but then I was given the challenge: to represent the
United States in eight watercolors. How, I thought, could I represent our
great, diverse nation in just eight scenes? After weeks of thought and
search, I chose to paint New York City, with the beams of light shining up
to the heavens in memory of all who perished on September eleventh; the Gulf
Coast with lazy fishermen harvesting the autumn run of red fish; the Arizona
desert with its giant cacti, standing like soldiers guarding distant
Phoenix; a Midwest farm rich and comfortable, with soy beans and corn;
Montana cowboys riding the open range; the Pacific Northwest, rocky and
wild, with the ocean spray gleaming on the boulders; the swamps of
Louisiana, mysterious in the magical light filtering through the Cyprus
trees; and the Washington Monument in spring with people from all the
nations gathering to fly kites and enjoy picnic outings.
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In
Mourning
2002 Water Color 19.25" x 25.25" double matted,
unframed
The twin beacons were a thirty-day memorial to the
September tragedy. New York, the city that is the financial
capital of the country as well as its arts, entertainment, and
fashion center, has become its heart. |
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The
Bread Basket of the Nation
2002 Water Color 20" x 24" double matted,
unframed
Growing up in Illinois, I became familiar with the
spectacle of great plains of corn and soybeans. Here, the soil
is fabled for its richness, and the farms are large and prosperous.
The world's busiest airport, Chicago's O'Hare, is designated ORD
because the land was formerly part of orchards and vegetable farms.
In childhood I spent many happy hours visiting family friends who
worked those fields. |
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The
Wild West
2002 Water Color 20" x 24" double matted,
unframed
Cowboys and cowgirls are still part of life in Montana,
where I live on a ranch. This big state averages less than one half
person per square kilometer, and eagles soar above deer and antelope
grazing with open range cattle. From our ranch house we can
walk an entire day mingling with nature, listening to the quiet, and
never crossing another human path. |
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Bayou
Country
2002 Water Color 20" x 24" double matted,
unframed
In the four years I lived in Louisiana I came to love the
food and culture of the Cajun people, whose French ancestors were
driven from Canada by the British. In swamps like this, people
still speak French and pole pirogues noiselessly over snake-infested
waters. |
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Washington's
Monument
2002 Water Color 19" x 23" single matted,
unframed
Our Capital's grassy mall is dotted with marble monuments
and lined by centers of political power and great museums, but
it also serves its citizens and visitors as a place to play.
In winter I have skied across these same grounds where spring
breezes loft kites for young and old alike, and where summer and
autumn warmth finds governmental staff playing football and
baseball. |
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My new life is filled with magnificent sunsets, big skies,
mountains, plains, ranching, skiing, and wildlife. Our closest neighbor is
eight miles away, as the crow flies, and the land abounds with wildlife.
Cattle, roaming over the open-range, are a delight to watch in spring when
the young ones are frisky. The greater Yellowstone area is a down-hill and
cross-country skiers' delight. In these watercolors, I tried to catch the meaning
of my new life in the West. |
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Available
Price: US $300
Contact to Purchase |
Fanny
2011 Water Color on paper 10" x 8" matted and framed |

Availability: Sold |
The Last Turn
2011 Water Color on paper 10" x 8" matted and framed |
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Autumn Snow
2002 Watercolor on Paper 9": x 11.5" matted
This scene from our deck is one I never tire of viewing.
As the day progresses, the colors are always changing: golds in the early
morning, blues in the afternoon, brilliant pinks and reds at sundown. The
Little Snowy Mountain Range keeps its snow from autumn until late spring. |
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Winter
Solstice
2002 Watercolor on Paper 6.5" x 7.5" matted
A short
walk up a little hill, and just behind our barn, lies a grove of pines. Here
Pre-Columbian hunters beguiled the time chipping arrowheads and
waited for the others to stampede buffalos over our jump. Now it is a
quiet, protected place with rock outcroppings, caves, and views to the
Snowy Mountain Range and the open plains. |
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Montana
Majesty
2002 Watercolor on Paper 9" x 9" matted
Hiking and
cross-country skiing are two reasons we chose to live in Montana. One cold
day, we skied to a precipice and found this magnificent view. |
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Friends
1999 Water Color on paper 9" x 11 3/4" matted and framed
A day among good friends on the high
plains, a sky reaching forever, and enough space for exorbitant
imaginings. Recollections of like days crowded me when I saw John
Fawcett's "Sharing," and I had to record my happy impressions of
his work.
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Rodeo -- Bull Ride
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Rodeo -- Bucking Horse
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Rodeo -- Bucking Horse 2
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Rodeo -- Barrel Race
2004 Water Color on paper 9" x 11 3/4" matted and framed
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The Sports and Rodeo (above) Water Colors are also available at:
Montana Book and Toy Company
331 N. Last Chance Gulch
Helena, MT 59601 |
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Available
Price: US $95
Contact to Purchase |
The Ultimate Sport
2011 Water Color on paper 10" x 8" matted and framed |

Available
Price: US $95
Contact to Purchase |
Watch Out, Dude
2011 Water Color on paper 10" x 8" matted and framed |
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Downhill Skiing
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Ski Jump
2004 Water Color on paper 9" x 11 3/4" matted and framed
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The Perfect Run
1998 Watercolor on Paper 15" x 11"
matted and framed |
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Stealing Second
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Running for 1st Down
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Score!
2004 Water Color on paper 9" x 11 3/4" matted and framed
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Figure Skating
2004 Water Color on paper 9" x 11 3/4" matted and framed
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